La musique des sphères
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Abstract
La musique des sphères constitue un aspect fondamental de la cosmologie antique et médiévale, et s’exprime aussi, avec des enjeux et des modalités différents, dans les œuvres de Dante et Shakespeare. Fond sonore d’une insoutenable douceur dans le Paradis dantesque, dans le Marchand de Venise de Shakespeare, la musique des sphères est inaudible en raison de l’obstacle de la chair. Dans Périclès, en revanche, elle est l’expérience euphorique et incommunicable du protagoniste.
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| Authors: | |
|---|---|
| Published in: | Classiques GARNIER, pp. 17-34 |
| Publication date: | 01/01/2020 |
| Document type: | Book chapter |
| Language: | French |
| DOI: | 10.15122/isbn.978-2-406-10127-7.p.0017 |
| Open access: | Open access Green: copy in an institutional or subject repository – Classiques GARNIER |
| Subjects: |
Renaissance Literature and Culture
(Social Sciences > Arts and Humanities > Classics)
Musicology and Musical Analysis
(Social Sciences > Arts and Humanities > Music)
Shakespeare, Adaptation, and Literary Criticism
(Social Sciences > Arts and Humanities > Literature and Literary Theory)
|
| Identifiers: | OpenAlex W3195326753 |
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