Tra prescritto e vissuto. Riflessioni sulla tutela del patrimonio storico-artistico nello Stato Pontificio tra XVIII e XIX secolo

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Abstract

Legislation issued in the Papal States in the field of the fine arts focused on the need to regulate and reduce the continuous dispersion of artistic heritage, an issue that became more and more pressing with the expansion and differentiation of the art market due to the growing number of travellers visiting the eternal city during the Grand Tour. This essay proposes some reflections on the exportations of works of art between norm and practice, and on the complex relationship between protection and artistic promotion in the Papal States in the late eighteenth and early nineteenth century.

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Dettagli Bibliografici
Autori:	Susanne Adina Meyer (University of Macerata)
Pubblicato in:	Arte, legge, restauro L’Europa e le prime prassi per la protezione del patrimonio
Data di pubblicazione:	20/06/2022
Tipo di documento:	Capitolo di libro
Lingua:	inglese
DOI:	10.30687/978-88-6969-623-7/006
Accesso aperto:	Accesso aperto Gold: rivista ad accesso aperto – Testo completo ad accesso aperto (licenza: CC-BY, versione editoriale)
Soggetti:	Historical Art and Architecture Studies (Social Sciences > Arts and Humanities > Conservation) Historical and Religious Studies of Rome (Social Sciences > Arts and Humanities > History) Historical Art and Culture Studies (Social Sciences > Arts and Humanities > Museology) papal states, art law, Grand Tour, art market, art promotion, cultural property, 18th century, 19th century, Rome
Identificativi:	OpenAlex W4283161477

Dati dell'indice centrale: OpenAlex (licenza CC0).

Descrizione
Riassunto:	Legislation issued in the Papal States in the field of the fine arts focused on the need to regulate and reduce the continuous dispersion of artistic heritage, an issue that became more and more pressing with the expansion and differentiation of the art market due to the growing number of travellers visiting the eternal city during the Grand Tour. This essay proposes some reflections on the exportations of works of art between norm and practice, and on the complex relationship between protection and artistic promotion in the Papal States in the late eighteenth and early nineteenth century.
DOI:	10.30687/978-88-6969-623-7/006