Luisa Marcucci (1917-1962) “acutissima osservatrice” : l’attività al Gabinetto Disegni e Stampe degli Uffizi a partire dalle sue carte/Luisa Marcucci (1917-1962) “acutissima osservatrice”: l’attività al Gabinetto Disegni e Stampe degli Uffizi a partire dalle sue carte

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Abstract

The essay reconstructs the figure and scholarly activity of Luisa Marcucci (1917–1962), highlighting her central role in the postwar period at the Uffizi’s Gabinetto Disegni e Stampe and, later, at the Galleria dell’Accademia. Through the analysis of her unpublished papers, cataloguing work, and curated exhibitions, the study outlines the profile of a scholar distinguished by rigorous methodology and sharp critical insight, crucial to the rediscovery and enhancement of sixteenth-century Florentine drawing. Particular attention is devoted to her studies on Mannerism and on artists such as Pontormo, Macchietti e Cavalori, as well as to her intellectual exchange with figures including Paola Barocchi and Luisa Becherucci. Marcucci’s contribution emerges as a true civic mission of preservation and scholarship, shaped within the broader context of postwar cultural reconstruction.

Salvato in:
Autori: Danilo Lupi iD (University of Siena)
Pubblicato in: ˜Il œCapitale culturale
Data di pubblicazione:15/10/2026
Editore:eum edizioni università di macerata
Tipo di documento:Articolo
Lingua:italiano
DOI: 10.13138/2039-2362/5273
ISSN:2039-2362
Accesso aperto: Accesso aperto Diamond: rivista aperta senza costi per autori e lettori – ˜Il œCapitale culturale (licenza: CC-BY-SA, versione editoriale)
Soggetti:
Historical Art and Architecture Studies (Social Sciences > Arts and Humanities > Conservation)
Renaissance and Early Modern Studies (Social Sciences > Arts and Humanities > History)
Libraries and Information Services (Social Sciences > Arts and Humanities > Museology)
Galleria dell'Accademia, Mannerism, Pontormo, art historiography, archival paper, exhibition curation
Identificativi: OpenAlex W7223179724

Dati dell'indice centrale: OpenAlex (licenza CC0).

Riassunto:The essay reconstructs the figure and scholarly activity of Luisa Marcucci (1917–1962), highlighting her central role in the postwar period at the Uffizi’s Gabinetto Disegni e Stampe and, later, at the Galleria dell’Accademia. Through the analysis of her unpublished papers, cataloguing work, and curated exhibitions, the study outlines the profile of a scholar distinguished by rigorous methodology and sharp critical insight, crucial to the rediscovery and enhancement of sixteenth-century Florentine drawing. Particular attention is devoted to her studies on Mannerism and on artists such as Pontormo, Macchietti e Cavalori, as well as to her intellectual exchange with figures including Paola Barocchi and Luisa Becherucci. Marcucci’s contribution emerges as a true civic mission of preservation and scholarship, shaped within the broader context of postwar cultural reconstruction.
ISSN:2039-2362
DOI:10.13138/2039-2362/5273