Schola Cordis y su impronta en el cancel del santuario de Jesús Nazareno de Atotonilco (México)

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Abstract

This article analyzes the pictorial program designed by Neri de Alfaro for inclusion in the cancel of the Sanctuary of Atotonilco in the mid-eighteenth century. These paintings, inspired by the engravings of the Schola Cordis, were performed by Martinez de Pocasangre, but later restorations and repainting not too fortunate distort the original work. However, it has been possible to reconstruct the project of father Neri, whose purpose was to invite the faithful to pious meditation.

Salvato in:
Autori: Reyes Escalera Pérez iD
Pubblicato in: Quiroga: Revista de Patrimonio Iberoamericano, n. 11, pp. 12-28
Data di pubblicazione:25/06/2017
Tipo di documento:Articolo
Lingua:spagnolo
ISSN:2254-7037
Accesso aperto: Accesso aperto Green: copia in un archivio istituzionale o disciplinare – Quiroga: Revista de Patrimonio Iberoamericano
Soggetti:
Historical Art and Architecture Studies (Social Sciences > Arts and Humanities > Conservation)
Latin American history and culture (Social Sciences > Arts and Humanities > Visual Arts and Performing Arts)
Early Modern Spanish Literature (Social Sciences > Arts and Humanities > Literature and Literary Theory)
church portal, engraving
Identificativi: OpenAlex W2687283720

Dati dell'indice centrale: OpenAlex (licenza CC0).

Riassunto:This article analyzes the pictorial program designed by Neri de Alfaro for inclusion in the cancel of the Sanctuary of Atotonilco in the mid-eighteenth century. These paintings, inspired by the engravings of the Schola Cordis, were performed by Martinez de Pocasangre, but later restorations and repainting not too fortunate distort the original work. However, it has been possible to reconstruct the project of father Neri, whose purpose was to invite the faithful to pious meditation.
ISSN:2254-7037