Schola Cordis y su impronta en el cancel del santuario de Jesús Nazareno de Atotonilco (México)
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Abstract
This article analyzes the pictorial program designed by Neri de Alfaro for inclusion in the cancel of the Sanctuary of Atotonilco in the mid-eighteenth century. These paintings, inspired by the engravings of the Schola Cordis, were performed by Martinez de Pocasangre, but later restorations and repainting not too fortunate distort the original work. However, it has been possible to reconstruct the project of father Neri, whose purpose was to invite the faithful to pious meditation.
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| Authors: | |
|---|---|
| Published in: | Quiroga: Revista de Patrimonio Iberoamericano, no. 11, pp. 12-28 |
| Publication date: | 25/06/2017 |
| Document type: | Article |
| Language: | Spanish |
| ISSN: | 2254-7037 |
| Open access: | Open access Green: copy in an institutional or subject repository – Quiroga: Revista de Patrimonio Iberoamericano |
| Subjects: |
Historical Art and Architecture Studies
(Social Sciences > Arts and Humanities > Conservation)
Latin American history and culture
(Social Sciences > Arts and Humanities > Visual Arts and Performing Arts)
Early Modern Spanish Literature
(Social Sciences > Arts and Humanities > Literature and Literary Theory)
|
| Identifiers: | OpenAlex W2687283720 |
Central index data: OpenAlex (CC0 license).
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